Spotted: A-list camera ops lighting steamy vertical sex scenes in random strip mall Airbnbs… while union jobs in L.A. gather dust. So what’s going on?
Welcome to the new reality of showbiz: Hollywood’s on pause, and the vertical content machine is grinding at full speed—powered by an army of underpaid, overworked crew members who used to work for the majors. Sound messy? It is.
Let’s dig in. 🕵️♀️
🎥 Hollywood’s Slump = Vertical’s Feeding Frenzy
Since the 2023 strikes shut down everything from blockbusters to sitcom pilots, thousands of film crew workers—camera ops, ADs, sound mixers, gaffers—have been scrambling for work. And guess who was hiring?
Yep. Platforms like ReelShort, DramaBox, and Short Max—all desperate for warm bodies to shoot 50 episodes in 5 days, usually on someone’s uncle’s property in Burbank.
According to one grip, “I went from working Marvel reshoots to filming The Alpha’s Secret Baby Bride with no rehearsal, no blocking, and a crew of four. But hey—at least I got paid fast.”
💸 Cheap Labor = Big Drama
Let’s be real: these platforms are built on speed. Scripts written overnight. Episodes shot in days. Editing done on the fly. But behind the scenes, it’s taking a toll.
Several crew members spilled the tea anonymously, saying conditions on vertical sets can be brutal:
- 14+ hour days
- Non-union wages (read: low)
- No turnarounds
- “Meal breaks” that consist of a half-warm granola bar and Red Bull
One PA claimed, “We filmed 80 episodes in 7 days. I haven’t seen the sun since.”
And don’t even get us started on safety. One camera op said a co-worker nearly passed out while rigging lights in a garage shoot with no AC.
😬 The Platforms Turning a Blind Eye?
Word on the set is that some companies are getting reputations for pushing the limits. While they rake in streams and ad money, the people behind the camera are hanging by a thread.
Insiders point to platforms using shell production companies to avoid liability and skip out on health insurance, overtime, and… well, basic labor laws.
One set designer who’s done both Hollywood and vertical work told V for Vertical, “You’re either going to make bank or burn out. There’s no in-between.”
😍 The Good, the Bad, and the WTF
To be fair, vertical has given a lot of below-the-line workers jobs they wouldn’t have had otherwise. Especially while L.A. sound stages sit empty.
And some crew actually love it.
“It’s chaos,” said one gaffer. “But it’s fun chaos. You get creative. You problem-solve. You’re in and out in days, not months. And the checks clear.”
But let’s not romanticize it—others are calling for union protections, rate floors, and crew caps to keep burnout from becoming the norm.
🎭 Final Word: A Revolution… Or Exploitation in HD?
The vertical film boom is real. It’s giving us werewolf baby daddies, fake marriages, and cliffhangers every 90 seconds.
But behind the drama onscreen… is even more drama behind the camera.
And if these platforms want to keep slinging steamy soap operas to your phone, they might need to stop treating their crews like disposable background extras.
Because baby—karma’s vertical too. ☕📲💅
